《《恶作剧系列》》剧情简介
这日请客做戏偏偏戏甚平常并无一人赞好到晚戏散与客闲谈道：‘今日之戏如何’客人只得勉强答道：‘做的甚好’此人又问道：‘究竟那几出做的好’客人见问思...秀英被他二人吵的不时惊醒那时已交四更秀英只得坐起道：二位姐姐也该睡了妹子原因他们那边都喜夜里谈天每每三四更不能睡觉妹子身弱禁不起熬夜又不能因我一人禁...
走了多时进了山寨女子往后寨去了骆承志指著史述向余承志道：此即史伯伯之子名叫史述当日兄弟自军前分手逃到陇右见了史伯伯呈了血书蒙史伯伯收留改为洛...
《《恶作剧系列》》相关评论
流浪的猫！
李心
守卫剑阁
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.